Tag: existentialism

What an Answer’s Worth by Tyler Plofker

I found the note, transcribed below, stuck in a yellowing copy of Jacques the Fatalist, borrowed from the Stavros Niarchos Foundation Library a few months ago. I submitted it to the online magazine you’re now reading because it seems to be what the author would have wanted—to make sure the contents continue on.

The note wasn’t dated or signed, but it looked fairly old (semi-brown, stained in parts, and wrinkly, but not falling apart).

Idle Hands by Molly Andrea-Ryan

“This is not acceptable behavior,” she said as the cat pawed at the carefully painted skeleton. “That isn’t yours,” she said as the cat knocked the skeleton from the shelf, sending it skittering across the floor. She picked it up and put it back, shooing the cat away, knowing it was a game, knowing that playing the game once meant playing the game again.

His miniatures were part of a game he never played. Skeletons, goblins, witches, sirens, dragons. He bought the kits, built the models, painted them. He placed them on a crowded shelf, organized and reorganized by size, color, and assigned skill. “I’m sure the game is fun,” he said, “but it isn’t what interests me.”

Dead Language by Colin Wolcott

Ninety-nine point nine percent of all species which have existed on Earth are now extinct. And although species die off every year, extinctions are concentrated in six major episodes throughout the planet’s history. The most significant of these was the Permian-Triassic event, wherein greater than 90% of all diversity on Earth was lost. By contrast, the most recent and well-known mass extinction, the Cretaceous-Paleogene event, in which the non-avian dinosaurs perished, was comparatively mild, eliminating roughly 75% of extant species. And while the very episode that wiped out the dinosaurs also created the conditions leading to our existence, the next mass extinction is likely to call that existence into question.

The Mentor by Noah Codega

My mentor sits lotus-style on the biggest chair I’ve ever seen. It’s beet-red velvet, flushed absolutely crimson, and is dangled all over with golden silk tassels. The room is otherwise green, full of leafy plants that hang densely from the high glass ceiling or stand in terracotta pots on the floor. There’s a wet warm smell, somewhere between a greenhouse and a summer afternoon, deep in a mossy forest, after a hard rain.

My mentor is ancient and wrinkled like a root-cellar apple in April. Under his coarse gray hood his blocky head is stubbly with close-cropped hair, and his full beard is smooth and white. He looks a bit like a wizard.

But wizards don’t use guns, and my mentor has a revolver resting in his lap, both his hands laid across it like it’s a sacred text he’s praying on.